{"id":1848,"date":"2023-02-10T11:57:34","date_gmt":"2023-02-10T14:57:34","guid":{"rendered":"http:\/\/matpsil.com\/revista-lapso\/\/?post_type=avada_portfolio&#038;p=1848"},"modified":"2023-12-10T17:51:48","modified_gmt":"2023-12-10T16:51:48","slug":"sikic-what-lacan-hispano-taught-me","status":"publish","type":"avada_portfolio","link":"http:\/\/matpsil.com\/revista-lapso\/portfolio-items\/sikic-what-lacan-hispano-taught-me\/","title":{"rendered":"SIKIC | What Lacan Hispano taught me"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-modal modal fade modal-1 sikic\" tabindex=\"-1\" role=\"dialog\" aria-labelledby=\"modal-heading-1\" aria-hidden=\"true\" style=\"--awb-border-color:#ebebeb;--awb-background:#f6f6f6;\"><div class=\"modal-dialog modal-lg\" role=\"document\"><div class=\"modal-content fusion-modal-content\"><div class=\"modal-header\"><button class=\"close\" type=\"button\" data-dismiss=\"modal\" aria-hidden=\"true\" aria-label=\"Close\">&times;<\/button><h3 class=\"modal-title\" id=\"modal-heading-1\" data-dismiss=\"modal\" aria-hidden=\"true\">Ana Sol Sikic<\/h3><\/div><div class=\"modal-body fusion-clearfix\">\n<p>EOL Delegaci\u00f3n Mendoza<\/p>\n<p>anasolsikic@gmail.com<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 sep-underline sep-solid fusion-title-center fusion-title-text fusion-title-size-two\"><h2 class=\"fusion-title-heading title-heading-center fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:25;--minFontSize:25;line-height:1.5;\">What <em>Lacan Hispano<\/em> taught me<\/h2><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_6 1_6 fusion-flex-column fusion-no-small-visibility\" style=\"--awb-bg-size:cover;--awb-width-large:16.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:11.52%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:11.52%;--awb-width-medium:16.666666666667%;--awb-spacing-right-medium:11.52%;--awb-spacing-left-medium:11.52%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_2_3 2_3 fusion-flex-column\" 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style=\"background-color:#ecf0f5;border-width:1px;border-color:#f6f6f6;border-top-width:3px;border-top-color:var(--primary_color);border-style:solid;\"><h2>ANA SOL SIKIC<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\"><div class=\"fusion-aligncenter\"><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" 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fusion-builder-row-3 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-image-element \" style=\"text-align:left;--awb-bottom-shadow-color:rgba(0,0,0,0.4);--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><div class=\"awb-image-frame awb-image-frame-1 fusion-image-frame-bottomshadow image-frame-shadow-1\" style=\"max-width:300px;display:inline-block;\"><span class=\" fusion-imageframe imageframe-bottomshadow imageframe-1 element-bottomshadow hover-type-none\"><img decoding=\"async\" src=\"http:\/\/matpsil.com\/revista-lapso\/wp-content\/uploads\/sites\/2\/2022\/12\/Lacan-hispano.jpg\" alt class=\"img-responsive\"\/><\/span><\/div><\/div><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: justify\"><span class=\"fusion-dropcap dropcap dropcap-boxed\" style=\"--awb-border-radius:8px;--awb-background:#dd3333;\">R<\/span>ecently, a few months after <em>Lacan Hispano<\/em> was published, I happened to hear the explanation of that weird first name launched by Jacques-Alain Miller on Twitter <em>\u201cDon Lacan de Francia\u201d<\/em>. <em>Don Lacan de Francia<\/em>, which emulated Don Quixote de la Mancha and evoked a so well-known piece of reading for those who speak Spanish that no Spanish speaker would ever ask who Don Quixote is, became bizarre for us. So finally, it turned into <em>\u201cLacan Hispano\u201d<\/em> a name way more familiar, concise an explicative.<\/p>\n<p style=\"text-align: justify\">The book was published 40 years after Jacques Lacan\u2019s death, in series with <em>\u201cLacan Redivivus\u201d<\/em> for francophone readers. The objective of this book is to make explicit the impact that the encounter with Lacan\u2019s teachings had on each of the authors, not all of them Spanish speakers. There is also a final section dedicated to the desire of Judith Miller, hard to read without dropping a few tears.<\/p>\n<p style=\"text-align: justify\">To anyone wondering how to prepare a tribute that is not a cemetery, this book is the example. Everything in it is alive.<\/p>\n<p style=\"text-align: justify\">Considering that each book that we approach is read in each one\u2019s special way, I intend not to hide my particular reading of <em>Lacan Hispano<\/em> in this review.<\/p>\n<p style=\"text-align: justify\">The encounter with <em>Lacan Hispano<\/em> brought me great joy, something like a renewed \u201ctrust remedy\u201d -as Jacques-Alain Miller said when founding the EOL, 30 years ago-. It came to me a few days after knowing that an EOL Delegation was about to be founded in Mendoza. I immersed myself in it searching for an answer, an orientation.<\/p>\n<p style=\"text-align: justify\">It is hard to make the review of a book that shows a vivid desire in its six chapters, that do not match a library categorization. It is an epistemic, clinical and political book<\/p>\n<p style=\"text-align: justify\">Alejandra Glaze, this number\u2019s director alongside with Jacques-Alain Miller, indicates in the first article, which is left outside of the six rubrics as a prologue, that the authors not only speak about Lacan but they are also implicated in the way his legacy style was able to reach the Spanish language. That is why it is a real jewel to find the writings of Jorge Chamorro, Gerardo Maeso and Samuel Basz, who along with Oscar Masotta founded the first lacanian School.<\/p>\n<p style=\"text-align: justify\">So, this is how the 6 chapters go: none of them repeats lacanian theory, they take their inspiration from it as a motivation for their work. That is why every chapter begins with a Jacques Lacan quote:<\/p>\n<p style=\"text-align: justify\"><em>\u201c<\/em><em>Lecturas Lacanianas<\/em>\u201d(Lacanian Readings) begins with a quote from The Ethics of Psychoanalysis (Lacan, 1959-1960 [2015]), about the creation around an emptiness. The 160 pages that follow are marked by it, in conversation with different art forms and psychoanalysis. There are articles for every taste.<\/p>\n<p style=\"text-align: justify\">In \u201c<em>Lacan y las Instituciones Anal\u00ed<\/em><em>ticas<\/em>\u201d (Lacan and the Analytical Institutions) the quote is the famous \u201cI found &#8211; as alone as I have always been in my relation to the psychoanalytic cause \u2013 (\u2026)\u201d (Lacan, 1964 [2012], p. 247) to speak about the loneliness with which one must inhabit the cause to be able to stay in the analytical institutions. My favorite articles are those in which an author from each of the Spanish speaking schools were asked what Lacan would think of their school today. Oscar Zack answers regarding the EOL and Andres Borderias for the ELP.<\/p>\n<p style=\"text-align: justify\"><em>\u201cLacan y\u2026<\/em>\u201d (Lacan and\u2026) is inaugurated with a quote from the \u201cIntroduction to the German Edition of the \u00c9crits\u201d(Lacan, 1973 [2012]) where he explicitly highlights that there\u2019s no psychoanalysis but about the particular; therefore there is tension between structure and discourse. In the chapter there is a wonder of clinical works: perversions, obsessive, psychosis, hysteria, love, children, lesbians, science, etc\u2026<\/p>\n<p style=\"text-align: justify\">\u201c<em>Lacan y la Sexuaci\u00f3n<\/em>\u201d (Lacan and Sexuation) a quote from \u201cTalking to brick walls\u201d (Lacan, 1972 [2012]) about the Real in both men and women, that thing that we cannot articulate a word about. Inside, a number of articles about love, the comedy of sexes, gender and sexuation in Lacan\u2019s theory and following readings.<\/p>\n<p style=\"text-align: justify\"><em>\u201c<\/em><em>Psicoan<\/em><em>\u00e1<\/em><em>lisis y Pol<\/em><em>\u00ed<\/em><em>tica<\/em>\u201d (Psychoanalysis and Politics). This section arrived right on time. I can\u2019t choose a single article, but I must say that Fabian Naparstek\u2019s one touched me deeply. The opening quote speaks about the relationship between loneliness and politics, the really revolutionary reading that Lacan made of his time.\u00a0 I prefer not to spoil anything in this chapter so you can go and read it for yourselves. The Guillermo Belaga\u2019s article is a frame to start thinking the dialogues concerning the next AMPs congress in 2024.<\/p>\n<p style=\"text-align: justify\">\u201c<em>Judith, la presencia de un Deseo<\/em><em>\u201d<\/em> (Judith, the Presence of a Desire) The quote is obviously by Judith Miller. A finale with great fanfare and, as I told you earlier, also with a few tears. Each article frames the persistence of her desire and how she marked every institution and space she made possible to exist. It is a real pleasure to read how her life marked the life of each of the women who write in that section.<\/p>\n<p style=\"text-align: justify\">And in the end, when you close the book touched in the Real by the Symbolic register, you cannot avoid to feel interpreted by the Imaginary cover of the book. The picture is Lacan in Caracas, but it makes a \u201cMeninas effect\u201d by Velazquez: there\u2019s a mirror, reflecting the observer but on it nobody but Jacques Lacan himself is reflected. There\u2019s nothing left to say, but in fact accepting that we, apparently, are his readers. I should finally say that in this case you can actually judge a book by its cover.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-2 sep-underline sep-solid fusion-title-text fusion-title-size-three\" style=\"--awb-margin-bottom:30px;--awb-sep-color:#dd3333;\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:20;--minFontSize:20;line-height:1.5;\">References<\/h3><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><ul style=\"--awb-size:15px;--awb-iconcolor:#dd3333;--awb-line-height:25.5px;--awb-icon-width:25.5px;--awb-icon-height:25.5px;--awb-icon-margin:10.5px;--awb-content-margin:36px;\" class=\"fusion-checklist fusion-checklist-1 fusion-checklist-default type-icons\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Glaze, A y Miller, J-A. (Comp.) (2021). Lacan Hispano. Buenos Aires: Grama.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Lacan, J. (1959-1960 [2015]). \u201cLa \u00c9tica del Psicoan\u00e1lisis\u201d en El Seminario de Jacques Lacan. Libro 7. Buenos Aires: Paid\u00f3s.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Lacan, J. (1964 [2012]). \u201cActo de fundaci\u00f3n\u201d en Otros escritos. Buenos Aires: Paid\u00f3s.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Lacan, J. (1972 [2012]). Hablo a las paredes. Buenos Aires: Paid\u00f3s.<\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p>Miller, J-A. (2022). A 30 a\u00f1os de la fundaci\u00f3n de la EOL. Anuncio por J.-A. Miller de la creaci\u00f3n de la AMP. Disponible en: http:\/\/www.eol.org.ar\/template.asp?Sec=la_escuela&amp;SubSec=Destacados&amp;File=Destacados\/22-01-03_a-30-anos-de-la-fundacion-de-la-eol.html<\/p>\n<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1848","avada_portfolio","type-avada_portfolio","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio\/1848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/comments?post=1848"}],"version-history":[{"count":2,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio\/1848\/revisions"}],"predecessor-version":[{"id":2192,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio\/1848\/revisions\/2192"}],"wp:attachment":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/media?parent=1848"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/portfolio_category?post=1848"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/portfolio_skills?post=1848"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/portfolio_tags?post=1848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}