{"id":1714,"date":"2021-09-12T17:37:08","date_gmt":"2021-09-12T20:37:08","guid":{"rendered":"http:\/\/matpsil.com\/revista-lapso\/\/?post_type=avada_portfolio&#038;p=1714"},"modified":"2023-12-10T17:39:36","modified_gmt":"2023-12-10T16:39:36","slug":"gonzalez-desire-must-be-taken-to-the-letter-to-operate-on-jouissance","status":"publish","type":"avada_portfolio","link":"http:\/\/matpsil.com\/revista-lapso\/portfolio-items\/gonzalez-desire-must-be-taken-to-the-letter-to-operate-on-jouissance\/","title":{"rendered":"GONZ\u00c1LEZ | Desire must be taken to the letter, to operate on jouissance"},"content":{"rendered":"<p><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-modal modal fade modal-1 david\" tabindex=\"-1\" role=\"dialog\" aria-labelledby=\"modal-heading-1\" aria-hidden=\"true\" style=\"--awb-border-color:#ebebeb;--awb-background:#f6f6f6;\"><div class=\"modal-dialog modal-lg\" role=\"document\"><div class=\"modal-content fusion-modal-content\"><div class=\"modal-header\"><button class=\"close\" type=\"button\" data-dismiss=\"modal\" aria-hidden=\"true\" aria-label=\"Close\">&times;<\/button><h3 class=\"modal-title\" id=\"modal-heading-1\" data-dismiss=\"modal\" aria-hidden=\"true\">David Albano Gonz\u00e1lez<\/h3><\/div><div class=\"modal-body fusion-clearfix\">\n<p>SECyT<br \/>\nFAPOL<\/p>\n<p>davidalbanogonzalez@gmail.com<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-2 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-1 sep-underline sep-solid fusion-title-center fusion-title-text fusion-title-size-two\"><h2 class=\"fusion-title-heading title-heading-center fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:25;--minFontSize:25;line-height:1.5;\">Desire must be taken to the letter, to operate on jouissance<\/h2><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_6 1_6 fusion-flex-column fusion-no-small-visibility\" style=\"--awb-bg-size:cover;--awb-width-large:16.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:11.52%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:11.52%;--awb-width-medium:16.666666666667%;--awb-spacing-right-medium:11.52%;--awb-spacing-left-medium:11.52%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-3 fusion_builder_column_2_3 2_3 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:66.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.88%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:2.88%;--awb-width-medium:66.666666666667%;--awb-spacing-right-medium:2.88%;--awb-spacing-left-medium:2.88%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><style type='text\/css'>.reading-box-container-1 .element-bottomshadow:before,.reading-box-container-1 .element-bottomshadow:after{opacity:0.70;}<\/style><div class=\"fusion-reading-box-container reading-box-container-1 fusion-animated\" style=\"--awb-title-color:#333333;--awb-margin-top:0px;--awb-margin-bottom:84px;\" data-animationType=\"fadeInUp\" data-animationDuration=\"0.5\" data-animationOffset=\"top-into-view\"><div class=\"reading-box reading-box-center element-bottomshadow\" style=\"background-color:#ecf0f5;border-width:1px;border-color:#f6f6f6;border-top-width:3px;border-top-color:var(--primary_color);border-style:solid;\"><h2>DAVID ALBANO GONZ\u00c1LEZ<\/h2><div class=\"reading-box-additional fusion-reading-box-additional\"><div class=\"fusion-aligncenter\"><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-default-span fusion-button-default-type\" style=\"--button_accent_color:#333333;--button_accent_hover_color:#333333;--button_border_hover_color:#333333;--button_border_width-top:1px;--button_border_width-right:1px;--button_border_width-bottom:1px;--button_border_width-left:1px;--button-border-radius-top-left:25px;--button-border-radius-top-right:25px;--button-border-radius-bottom-right:25px;--button-border-radius-bottom-left:25px;--button_gradient_top_color:rgba(181,41,41,0);--button_gradient_bottom_color:rgba(181,41,41,0);--button_gradient_top_color_hover:rgba(0,0,0,0.1);--button_gradient_bottom_color_hover:rgba(0,0,0,0.1);\" target=\"_self\" href=\"#\" data-toggle=\"modal\" data-target=\".fusion-modal.david\"><span class=\"fusion-button-text\"><\/span><i class=\" fa fa-user button-icon-center\" aria-hidden=\"true\"><\/i><\/a><\/div><\/div><div class=\"fusion-clearfix\"><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-4 fusion_builder_column_1_6 1_6 fusion-flex-column fusion-no-small-visibility\" style=\"--awb-bg-size:cover;--awb-width-large:16.666666666667%;--awb-margin-top-large:0px;--awb-spacing-right-large:11.52%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:11.52%;--awb-width-medium:16.666666666667%;--awb-spacing-right-medium:11.52%;--awb-spacing-left-medium:11.52%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-5 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div style=\"text-align:right;\"><a class=\"fusion-button button-flat button-small button-custom fusion-button-default button-2 fusion-button-default-span fusion-button-default-type\" style=\"--button_accent_color:#333333;--button_border_color:#333333;--button_accent_hover_color:#333333;--button_border_hover_color:#333333;--button_border_width-top:1px;--button_border_width-right:1px;--button_border_width-bottom:1px;--button_border_width-left:1px;--button-border-radius-top-left:0;--button-border-radius-top-right:0;--button-border-radius-bottom-right:0;--button-border-radius-bottom-left:0;--button_gradient_top_color:rgba(181,41,41,0);--button_gradient_bottom_color:rgba(181,41,41,0);--button_gradient_top_color_hover:rgba(0,0,0,0.3);--button_gradient_bottom_color_hover:rgba(0,0,0,0.3);\" target=\"_blank\" rel=\"noopener noreferrer\" href=\"http:\/\/matpsil.com\/revista-lapso\/wp-content\/uploads\/sites\/2\/2023\/12\/LAPSO-N\u00b06-GONZALEZ-Desire-must-be-taken-to-the-letter.pdf\"><i class=\"fa-download fas button-icon-left\" aria-hidden=\"true\"><\/i><span class=\"fusion-button-text\">PDF<\/span><\/a><\/div><div style=\"text-align:right;\"><a class=\"fusion-button button-flat button-small button-default fusion-button-default button-3 fusion-button-default-span fusion-button-default-type\" style=\"--button-border-radius-top-left:0;--button-border-radius-top-right:0;--button-border-radius-bottom-right:0;--button-border-radius-bottom-left:0;\" target=\"_self\" href=\"http:\/\/matpsil.com\/revista-lapso\/portfolio-items\/gonzalez-tomar-el-deseo-a-la-letra-para-operar-sobre-el-goce\/\"><span class=\"fusion-button-text\">VERSI\u00d3N EN ESPA\u00d1OL<\/span><\/a><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-3 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-margin-top:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-6 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1\"><p style=\"text-align: right\">\u201cHe\u2019d run to the caf\u00e9 looking for us,<br \/>moved, exalted, almost crying,<br \/>he\u2019d order his glass of absinth and he\u2019d said:<br \/>-Yes! inside the cage that contains my mind <br \/>there is an imprisoned blue bird longing for liberty.\u2026\u201d<\/p>\n<p style=\"text-align: right\">The Blue Bird. Rub\u00e9n Dar\u00edo <\/p>\n<p style=\"text-align: justify\"><span style=\"font-weight: 400\"><span class=\"fusion-dropcap dropcap dropcap-boxed\" style=\"--awb-border-radius:8px;--awb-background:#dd3333;\">T<\/span><\/span>he fact that LAPSO has chosen desire as its theme for its 6<sup>th<\/sup> Issue, is both a wager and a provocation. It is a wager because it is a departure from the series of all its previous volumes which focuses on extracts from Lacan\u2019s latest teaching and took them as starting points. But it is also a provocation, because in the context of production in which we find ourselves over the last teaching, it invites us to elaborate on it by returning to a theme that comes from the early days of psychoanalysis and which may be taken for granted. What has not already been said about desire? Why dedicate a whole Issue to the topic?<\/p>\n<p style=\"text-align: justify\">The decision is out there, to avoid the outburst of desire from making that damp firecracker noise that Lacan (1958 [2008]) hears in <em>The Direction of the Treatment and the Principles of Its Power<\/em>. Because here there is a risk if the meaning of desire in terms of psychoanalysis is confused. This Issue aims to achieve a proper bang by linking desire to the ethics of psychoanalysis. How? By taking the syntagma \u201cDesire must be followed to the letter\u201d that gives title to the fifth chapter of that writing. An ethic which includes the non\u2011use of a certain power that is entailed in the supposed\u2011to\u2011know position a patient grants his analyst. The danger of this assumption is giving in to the good intentions and telling the patient what he desires, or to mistake his desire for a longing or \u201ca wish\u201d, so common today in market\u2011responsive therapies: \u201cdon\u2019t overthink it, indulge yourself, you deserve it\u201d.<\/p>\n<p style=\"text-align: justify\">Even though the phantasy implies an object of one\u2019s desire, we should not let ourselves fall into the temptation of believing that it could be found once and for all, because desire is unsatisfied by definition. This is what keeps it consistently youthful. Desire being metonymic means that it runs along with the movement of a chain of signifiers, or more importantly, it is what makes the chain itself move. That is to say that what is involved in the analytical experience in relation to desire, is the triggering of associations of signifiers by means of interpretation.<\/p>\n<p style=\"text-align: justify\">This is exactly the opposite of proposing an object that blocks, that stops the movement, but offering something which always allows the production of a certain split in the network of signifiers instead, something that can re-launch the operation of the chain. If Bu\u00f1uel taught that the object of desire is obscure, we can add that it is so out of necessity. If there is an object of desire, it will always remain opaque \u2026 or void. Now, what may emerge during the analytical experience is a cause that can be articulated to a desire, a question that Laurent (2020) explained perfectly well in his speech <em>The Name and the Cause<\/em> (in Spanish), when he was conferred the Honoris\u00a0Causa by the National University of C\u00f3rdoba. Starting from this notion that desire can be articulated to a cause, a whole line of development follows that could be traced towards the idea of a \u201cknow\u2011how\u201d.<\/p>\n<p style=\"text-align: justify\">In his course <em>From Symptom to Phantasy<\/em>, <em>and Back<\/em> (in Spanish), Miller (2018) takes up the famous phrase by Lacan that this year inspired LAPSO\u2019s issue, and he states that \u201cthe question is to know how, taking desire to the letter, that is, by means of interpretation, <em>jouissance<\/em> can be found and operated on\u201d (p. 179). This allows the problematic link between desire and <em>jouissance<\/em> to come into play. Well, if we consider the symptom as a metaphor, that is, a signifier that is in place of an elided, barred signifier ($, the subject) and the interpretation as what re-launches the chain of signifiers through the metonymy of desire, we have three of the elements of the discourse of the unconscious or the master that Lacan (1975 [2010]) formulated many years later. That discourse produces the object\u00a0<em>a<\/em>, a fourth element. Renewing Lacan\u2019s phrase, Miller teaches that what is involved in the interpretation is not only a signifier to cope with, but also a <em>jouissance<\/em> that must be aimed at, as this which is always a reminder of what remains unassimilable by the Symbolic. Here we return to the question of the ethics, that which provides an orientation that does not neglect the object\u00a0<em>a<\/em>, an orientation towards a signifier that is not\u2011all.<\/p>\n<p style=\"text-align: justify\">We will find this reading operation carried out by Miller: the one that updates the first Lacan with his later developments, in some of the articles that make up the <em>Theory and Concepts<\/em> Section of this issue. Irene\u00a0Kuperwajs takes fragments of her Testimonies to shed light on the emergence of the analyst\u2019s desire in the course of an analysis, not without taking into account the void in terms of the being and the Real that is at stake. This is a question that concerns the formation of the analyst and that is also addressed by Mat\u00edas\u00a0Meichtri Quintans, in an article that gives an account of the School as its fundamental concept. D\u00e9bora\u00a0Nitzcaner suggests a lively hopscotch that hops from desire to love, and <em>joissance<\/em>. The dimension of the act and its intimate and risky relationship with desire is clearly specified by Pilar\u00a0Ord\u00f3\u00f1ez. In turn, the relationship between the phallic signifier and desire is rigorously defined by Andrea Berger, contextualizing it in Lacan\u2019s first teaching. Natalia\u00a0Bonansea, takes the tragedy of Antigone to establish a productive counterpoint between \u201cpure desire\u201d and \u201cdesire to the letter\u201d. In the <em>Intersections<\/em> segment we will find an interview with Mercedes\u00a0Mor\u00e1n in relation to her artistic work and that which drives it, a real gem. Moreover, there is an exhaustive itinerary of the main philosophical notions on desire by Diego Fonti. In the <em>Reviews<\/em> section we can find the commentaries on <em>Cause and Consent<\/em>, the last course published by Miller in Spanish; on the Volume <em>Deseo<\/em> (Desire) of <em>Registros<\/em> Magazine, and on the book <em>Symptoms without Unconscious in an Age without Desire (<\/em>S\u00edntomas sin inconsciente en una \u00e9poca sin deseo) by Marco Focchi, each one in charge of Deborah\u00a0Lazzeri, Micaela\u00a0Parici and Ana\u00a0Mecchia respectively.<\/p>\n<p style=\"text-align: justify\">As if all this were not enough, this issue also has a unique material: Bernardino Horne responds to the LAPSO Interview on complex issues and makes them transmissible, measuring up to a life that has been led by psychoanalysis.<\/p>\n<p style=\"text-align: justify\">Lacan takes the image of the blue bird that causes Garc\u00edn, the poet in Rub\u00e9n Dar\u00edo\u2019s short story, both exaltation and suffering, as a reference to portrait desire. Our authors, being good birders, go further on their search in this timely issue of the LAPSO Magazine.<\/p>\n<\/div><\/div><\/div><\/div><\/div><div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-4 fusion-flex-container nonhundred-percent-fullwidth non-hundred-percent-height-scrolling\" style=\"--awb-background-position:left top;--awb-border-sizes-top:0px;--awb-border-sizes-bottom:0px;--awb-border-sizes-left:0px;--awb-border-sizes-right:0px;--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:20px;--awb-padding-bottom:20px;--awb-flex-wrap:wrap;\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"max-width:1248px;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-7 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-title title fusion-title-2 sep-underline sep-solid fusion-title-text fusion-title-size-three\" style=\"--awb-margin-bottom:30px;--awb-sep-color:#dd3333;\"><h3 class=\"fusion-title-heading title-heading-left fusion-responsive-typography-calculated\" style=\"margin:0;--fontSize:20;--minFontSize:20;line-height:1.5;\">References<\/h3><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-8 fusion_builder_column_1_1 1_1 fusion-flex-column fusion-flex-align-self-flex-start fusion-column-no-min-height\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-flex-justify-content-flex-start fusion-content-layout-column\"><ul style=\"--awb-size:15px;--awb-iconcolor:#dd3333;--awb-line-height:25.5px;--awb-icon-width:25.5px;--awb-icon-height:25.5px;--awb-icon-margin:10.5px;--awb-content-margin:36px;\" class=\"fusion-checklist fusion-checklist-1 fusion-checklist-default type-icons\"><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p style=\"text-align: justify\"><span style=\"font-weight: 400\">Lacan, J. (1958 [2008]). \u201cLa direcci\u00f3n de la cura y los principios de su poder\u201d en <\/span><i><span style=\"font-weight: 400\">Escritos 1.<\/span><\/i><span style=\"font-weight: 400\"> Buenos Aires: Siglo XXI.<\/span><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p><span style=\"font-weight: 400\">Lacan, J. (1975 [2010]). \u201cEl reverso del psicoan\u00e1lisis\u201d en <\/span><i><span style=\"font-weight: 400\">El seminario de Jacques Lacan. Libro 17. <\/span><\/i><span style=\"font-weight: 400\">Buenos Aires: Paid\u00f3s.<\/span><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p><span style=\"font-weight: 400\">Laurent, \u00c9. (2020) \u201cEl nombre y la causa\u201d. C\u00f3rdoba: IIPsi &#8211; Instituto de Investigaciones Psicol\u00f3gicas [CONICET y UNC]. Disponible en: <\/span><a href=\"http:\/\/hdl.handle.net\/11086\/16881\"><span style=\"font-weight: 400\">http:\/\/hdl.handle.net\/11086\/16881<\/span><\/a><\/p>\n<\/div><\/li><li class=\"fusion-li-item\" style=\"\"><span class=\"icon-wrapper circle-no\"><i class=\"fusion-li-icon fa-minus fas\" aria-hidden=\"true\"><\/i><\/span><div class=\"fusion-li-item-content\">\n<p><span style=\"font-weight: 400\">Miller, J.-A. (2018) \u201cDel s\u00edntoma al fantasma. Y retorno\u201d en <\/span><i><span style=\"font-weight: 400\">Los cursos psicoanal\u00edticos de Jacques-Alain Miller. <\/span><\/i><span style=\"font-weight: 400\">Buenos Aires: Paid\u00f3s.<\/span><\/p>\n<\/div><\/li><\/ul><\/div><\/div><\/div><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-1714","avada_portfolio","type-avada_portfolio","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio\/1714","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/comments?post=1714"}],"version-history":[{"count":2,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio\/1714\/revisions"}],"predecessor-version":[{"id":2158,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/avada_portfolio\/1714\/revisions\/2158"}],"wp:attachment":[{"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/media?parent=1714"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/portfolio_category?post=1714"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/portfolio_skills?post=1714"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"http:\/\/matpsil.com\/revista-lapso\/wp-json\/wp\/v2\/portfolio_tags?post=1714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}